
Светилище в Столоватец
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The Stolovatets slabs are monumental stones from a sanctuary whose ruins were found in the locality of Stolovatets, about 5 km west of the town of Razlog, Bulgaria. Two large marble stelae with relief decoration were found there, connected with a sanctuary that scientific interpretation holds was probably dedicated to the sun.
They are dated to the end of the Bronze Age and the beginning of the Iron Age, though their attribution to ancient Thracian culture remains unproven.
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Светилище в Столоватец
The marble stelae were found by chance during ploughing in 1953, in the field of Ilia Radushin on the eastern slope of the hill of the same name.
Research historySources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
The marble stelae were found by chance during ploughing in 1953, in the field of Ilia Radushin on the eastern slope of the hill of the same name. The historian Tacho Tanev, then interned in the town by the communist authorities, noticed the slab and saved it for Bulgarian historical science. Tanev dated the find to the Late Bronze Age. In the early 1970s the numismatist Todor Gerasimov attributed the slab to the Celts, which raised a scholarly dispute.
The published account by the archaeologist Goranka Toncheva in the magazine “Kosmos” states that a local resident, Atanas Astinov, happened to notice a slab with images in Radushin's field. Radushin paid no attention to it and for a time used it as a bridge over the ditch in front of his house. The stele was afterwards stood up temporarily on the stone wall of his house, where Tanev, passing by, noticed the images, recognised the importance of the slab, and had it taken to the Nikola Parapunov House-Museum.
ExcavationsSources for this section
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Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
Excavations at Stolovatets in the 1960s under Toncheva uncovered the ruins of a small П-shaped cult building open to the east, built in the Hellenistic period, in which the slabs had been reused as wall filling. Archaeologists suppose that the stelae were originally placed inside the building so as to be lit by the rising sun. The monument is held to be dedicated to a solar cult, as the geometric decoration of the slabs suggests: linked triskeles and double spirals, both ancient solar symbols.
The largest stele shows a radiant sun in the middle of a boat-shaped two-headed dragon, before which stands an upright male phallic figure putting his left hand into the serpent's mouth. Three Thracian burial mounds lie west of the sanctuary and, according to Markov, undoubtedly belong to the cult complex.
DatingSources for this section
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Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
The dating of the sanctuary, and its attribution to the known tribes of this part of the Balkan peninsula, has been disputed since the first archaeological studies and the display of the stelae in the Nikola Parapunov museum in Razlog. In the second half of the second millennium BC boats of this type decorated varied monuments in the Mediterranean, Anatolia and Central Europe. Toncheva dates the slabs to the middle of the second millennium BC and links them with the Cretan-Mycenaean cultural circle, but according to Prof. Diana Gergova, on the basis of the pottery found during the excavations, they belong to the second half of the early Iron Age (eighth – sixth century BC).
InterpretationSources for this section
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Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
According to Vasil Markov, the scene on the largest stele reflects an early stage of ancient Thracian religious thought, corresponding to Thraco-Pelasgian cults, religion and art, and its stylistic features, with double spirals and triskeles, place the monuments in the era of Mycenaean Thrace. Markov regards the stelae as particularly important evidence for the spiritual life of the Thracian tribes of the Satrae, Bessi, Diobessi and Dii, who inhabited the lands of the Upper and Middle Mesta and were, in his view, guardians of the original Thracian religion in its most archaic form. He suggests that the boat- or cradle-like image on the large stele is an attribute of the sun known from Bulgarian folklore, in folk songs where the sun lowers its cradle down its rays from the sky to seize a beloved maiden.
The right hand of the anthropomorphic phallic figure placed in the mouth of the snake-dragon drew particular attention. The discoverers first saw a duel scene, but later analysis of the monument and graphic impressions showed that the bow and arrow suggested by Tanev are in fact absent. Markov holds that this detail shows the transmission of secret knowledge from the solar-chthonic deity of the Thracians, the Thracian Dionysus, to the forefather, the first Thracian king and priest, son of the solar deity and the Great Mother Goddess. He reads it as a scene of royal initiation of the most archaic type, close in spirit to the stele of Hammurabi in Mesopotamia, where the sun deity hands the Babylonian king the laws by which he is to rule, and he compares the Thracian myth of the king and god Zalmoxis, whom the king of the Thracian Getae visited periodically to take counsel on government.
Markov's interpretation is, however, considered rather disputed, because the ancient Thracians are known for jealously venerating and guarding their sanctuaries, and no destruction or secondary use of already built cult structures has been observed in them. The Stolovatets marble stelae were reused to build a supposed cult building, which would be the first documented case of this kind.
Astronomical alignmentSources for this section
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Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
Scenes with a dragon or serpent, and with the sun seizing a maiden with the help of its golden cradles, are characteristic of Bulgarian folklore and are sung at the great Christian feasts of Easter and Saint George's day, but most of all in rites connected with Enyovden. Markov suggests that the cult practices at Stolovatets may well have been connected with the day of the summer solstice, the feast of the grown sun, which in ancient mythological ideas was about to enter a sacred marriage. He cites in support not only the solar cradle but also the sunlight streaming powerfully from the sky in “S”-shaped spirals in the relief of the large stele.
According to the interpretation of Il. Tantilov (Nikola Parapunov Historical Museum, Razlog), seen from the Razlog basin the sun rises on Enyovden exactly over the Thracian sanctuary of Babyashka mogila near the village of Babyak, so that archaeoastronomical aspects of a local solar cult are likely for the Stolovatets stelae as well. This interpretation cannot be proved, because the structure to which the stelae belonged was destroyed long ago. According to Nikolay Dermendzhiev, the images had a calendar and astronomical value in addition to their mythological (cult) value, and analysis of monuments with similar decoration from Britain, Ireland and France shows that, among other things, they record astronomical (calendar) cycles.
ConservationSources for this section
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Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
Only one of the stelae from Stolovatets is kept in the Nikola Parapunov museum in Razlog; the rest are held in the National Archaeological Museum of the Bulgarian Academy of Sciences. At the end of 2013 Razlog Municipality announced that, under a project to preserve and restore material and spiritual examples of the ancient Thracian cultural heritage in Razlog, an exact copy of the stelae would be made and displayed in the open in front of the Cultural Centre as a tourist attraction. At the beginning of September 2015 the “cultural and historical ensemble”, an exact copy of the stelae, was put on display there.
ContextSources for this section
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Sources for this section
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
A stele is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument, with text, ornament or both inscribed, carved in relief or painted. The Atlas applies the heading to a very mixed group of monuments, and the type should be read as a form and not as a date.
Tradition and region
About this kind of monument
Steles in Europe and elsewhere
A stele (or stela) is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The Greek and Roman use is well known. Its surface often has text, ornament, or both, inscribed, carved in relief or painted. Steles were created for many reasons: grave steles served funerary or commemorative purposes, slabs of stone were used as Greek and Roman government notices or as boundary markers, and steles were occasionally erected as memorials to battles.
The Atlas applies the heading to a very mixed group of monuments: carved standing stones of the Bronze Age and Iron Age, funerary steles of the classical and medieval periods, Roman milestones and cippi, medieval cross-stones, wayside crosses, and modern memorials. A reader should treat the type "stele" as a form and not as a date. Prehistoric steles, such as the statue menhirs of the Copper Age, are usually carved with a human figure and sometimes with weapons.
Because many steles carry a date or the name of a ruler, they are among the best dated stone monuments; for those that do not, the Atlas gives a broad range based on style.
The best-known examples show the range. The Gwanggaeto Stele in China, erected in 414 CE, is the largest engraved stele in the world; Maya stelae of the Classic Period (about 250 to 900 CE) are tall sculpted shafts paired with low circular altars; the first Armenian khachkars date from the ninth century; and the Grave Stele of Hegeso in Athens was carved about 410 to 400 BCE.
When visiting, read the inscription and note the carved figure or symbol.
Paraphrased from Wikipedia: Stele, Wikipedia: Statue menhir, Wikipedia: Menhir, Wikipedia: Wayside cross, Wikipedia: Grave Stele of Hegeso, Wikipedia: Gwanggaeto Stele · CC BY-SA 4.0
Where it stands
Bulgaria
The pin marks the monument itself — its exact point.
- Coordinates
- 41°53′03″ N, 23°27′52″ EFor a GPS or map app: 41.88410, 23.46440
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Sources
Every record behind this page, with the link it came from.
1 source behind this page
- 01Wikidata Q20499977wikidata.org
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Credit
Text, licence and sources
Adapted from the Wikipedia article "Плочи от Столоватец" (Bulgarian), licensed CC BY-SA 4.0; authors are listed in the page history. Reused under CC BY-SA 4.0. Read on Wikipedia · Edit history and authors
- Wikipedia (Bulgarian): Плочи от СтоловатецCC BY-SA 4.0
- Wikidata Q20499977CC0